October Journal Quilt

Had a busy few weeks with many things getting in the way of me creating and keeping up to date!

I did manage to get my October Journal Quilt made but somehow never got around to posting about it so now is my chance to do so.

October meant that I had reached the blue/violet section on the colour wheel so for this I decided to do a log cabin that had a chequered effect.  I didn't really think it through to0 much so although I can promise you that the construction was very much a log cabin, the end result doesn't really look like it!

I free machine quilted the flower design using stitch and tear as I was frightened of not having an all over pattern.  It worked very well until I had to remove the paper and found that at the centres of the flowers the stitching was too dense to completely remove it.  Great learning curve for me and thank goodness it was on something that I don't plan to exhibit!

Only two more JQs to go for this year which has already got me thinking about what to do next year .....

Fabric Book

This is my latest creation, one I've been working on for some weeks but decided to wait until it was finished before I revealed it.

I've been drawn to hand made fabric books for some time so felt it was time I made one myself and as the sea and beaches play such a large part in in life, it was a no-brainer when it came to the subject.

So, what's inside .......

Starting with the sea, I layered various fabrics, lace and trimmings which were hand stitched to a background of indigo dyed fabric (fabric I have had for  over 25 years!).  I added some hand stitching including French knots, buttonhole stitch and straight stitch before oversewing around the edges.

For this seashells page, I starting by cutting my own rubber stamp with two different sized shells.  I've used shells in other pieces of work and have looked before for a rubber stamp but as I could never find one, I thought cutting my own would mean I'll have it to use in the future.

The shells were printed on to a piece of my own dyed  yellow fabric and the outlines were hand stitched with backstitch.   The text was printed on to tape and attached with running stitch.  Pieces of shell were added to finish before the edges were again oversewn.

I just love beach huts so they had to be included.   I always take photos of beach huts when I see them so this one, taken at Avon Beach, was printed on to fabric and applied to a background of blue and yellow fabric which I had dyed.   Simple straight stitches were added to the 'sand' to represent the grass that grows on the beach and a couple of seagulls were added to the sky.  Again, as with every page, the edges were oversewn.

No trip to the beach is complete without building a sandcastle!   We've made many when having a day on the beach with the grandchildren so they had to feature in this book.

This was quite simple - backstitched outlines on a piece of hand dyed fabric.

Some years ago, I took a photo of a wooden groyne at Littlehampton in which seaweed had become trapped and then been bleached by the sun.   At the time I was very taken with the image and felt sure there was something creative I could do with it and finally it's happened. 

I started with a piece of cream fabric which I coloured in various ways including paint and water soluble crayons and pencils and adding the timber grain lines with a drawing pen,   I wanted the colour to be quite subtle which is why it looks as though the fabric has not been coloured!

I created a piece of seaweed by machine embroidery on soluble fabric but as it was a bit stiff I cut in to it to roughen it up a bit.  This was stitched into a slit in the fabric along with various lengths of different threads.  A line of backstitch was added along the bottom for balance.

The final fishy page has the outline of a fish in stem stitch with lines of sequins had stitched in rows. Lines of backstitch and fly stitch added detail to the fins and tail and feather stitched was used for the seaweed.   The text was backstitch around the edge.

When I came to the cover I used up scraps and off cuts of blue and yellow fabric that I had used for the pages.  I used bondaweb to secure the pieces and then added running stitch and lines of straight stitch to secure some of the edges.   I put a piece of light fusible Vilene to give the cover a bit more weight and then buttonholed around the edge of the cover and lining.

The pages and cover were secured with stitching down the spine.

Hopefully this will be the first of many fabric books!

Journal Quilt for June

Moving on from yellow, this month's JQ is yellow and green.

I started with a random pieced panel in the centre which was created using fused fabric which I bonded to a backing fabric and then cut to shape.  This was then bordered as a log cabin first with yellow which I then cut at angles before completing with a green border.

I was a bit worried about the raw edges on the centre panel so decided to machine quilt narrow lines and hope it was enough.

You may recall that one of the criteria for my quilts this year was to include some fabric that I have gelli printed.  Well, I got so carried away with creating the quilt that it was only when I had finished that I realised I hadn't used any printed fabric!   The border came to the rescue and I printed some fabric with fabric paint using my own foam shape blocks on the gelli plate.

Sew4thesoul update

I've now completed my third stitch sampler in the Sew4thesoul series and together with the first two, the samplers are now mounted and framed.

I gel printed a backingr using blue, white and grey acrylic paint to compliment the colours of the embroideries.  For the actual samplers, I wrapped them around mountboard so they sit slightly raised on the background and I think they look good in the deep white box frames.

Granitos, feather, wheatear and running stitches

Sew4thesoul

I've recently joined in with a weekly stitching activity on Instagram - #sew4thesoul.

It's organised by Anne Brook (@hannemadebyanne) and each weekend she introduces a new embroidery stitch.   She's working on a long strip of linen which I love but sadly could not seem to find any to buy. 

Instead I decided to work samples of four stitches, worked in stranded cotton on linen, which I will mount and display as a series.  I was a bit late starting but soon caught up and now look forward each weekend for the next stitch.   They have mainly been simple embroidery stitches that you can 'play' with but I have learnt one new one - granitos - which I will definitely use again.

So far I have two completed in the series but they are still waiting to be mounted and framed.

Seed stitch - cross stitch - fly stitch - chain stitch

French knots - blanket stitch - bullion knots - pistol stitch

Another month, another Journal Quilt

For my April Journal Quilt I reached orange and yellow on the colour wheel and although on the face of it there is a traditional look to it, I used a variety of widths for the strips and included some orange and yellow striped strips too.  The centre square is also from the striped fabric.

I used a hand made block for the gelli printing on some of the yellow strips, using string wrapped around a piece of card and using an orange fabric paint.

To finish I machine quilted in straight lines from top to bottom, again varying the distances between the lines to reflect the different widths of the strips.

March JQ

Moving on to Orange for my March Journal Quilt, this log cabin is more or less formal but with each colour only used on three sides.   Once again I used my own dyed fabric in various shades of orange, some printed with a Gelli plate using a map stencil. The results of this month's gelli-printing were better and using less of the fabric paint seemed to make a difference.  

The finished quilt was   machine quilted in a spiral pattern, working diagonally across each strip, and then bound with some of the map-printed fabric.

February JQ

For my February Journal Quilt I continued my journey around the colour wheel, moving from red to red and orange.  It's not strictly on the wheel but a combination of two colours suits my plan for this year rather than the accepted red-orange.

I started with a piece of the same red fabric I used in January, placing it on the corner slightly to one side and used different width strips in a combination of plain orange and red fabric as well as some orange fabric I printed with red fabric paint using bubble wrap on a gelli plate.  I also put in some extra folded strips of red for accent.

It's the quilting of the finished block that always gets me stumped and this was no exception.  In the end I opted for quilting in the ditch on each strip as well as free machine quilting in a bubble pattern on the plain orange strips using an orange, red and yellow variegated thread.

The finished quilt was then bound with some fabric that had also been printed with the bubble wrap.

Once again I found the second print was better than the first but I think this is because I was putting too much paint on the gelli plate - this must be a difference between fabric paint and the acrylic paint I normally use - so next time I will be more sparing with the paint.

Block Printing

I have a growing collection of wooden printing blocks which I pick up mainly at shows as I find them lovely to work with, especially when using my gelli plate.

I was therefore thrilled when I received a late birthday present from my daughter Clare which was a kit for hand printing a scarf with a wooded block.   It came from The Arty Crafty Place who we saw when we went to the Sewing Bee Live Show.

The scarf if huge and I didn't know quite where to start and what to do.  I was also worried I'd start and then not have enough paint to finish as the pot in the kit looked very small against the scarf.  After a lot of deliberation and general phaffing I decided to start printing from one end, see how it went and then do the same from the other end, figuring that if I had enough paint and they met in the middle then great.

I worked on my ironing board as I thought that was the printed bit could remain fairly free and have time to dry.  I put a towel under the scarf to give a soft base to print into as well as protecting my ironing board.   I did give the scarf a gentle press as it had been heavily twisted and creased when I unwrapped it and although I preferred this look to a pristine flat surface, I was worried that if it was too creased it would affect the print.

  

My plan worked well and I managed to print about 20" in from each end which left quite a gap unprinted in the middle but I think it looks better for it.  My only problem was trying to make the printing look random - I don't do random so I had to concentrate hard.

I love it and look forward to wearing it somewhere warm!

Anniversary Gift

Back in March I shared some textile art I had created based on a Workshop on the Web workshop and inspired by some Dorset buttons I had made.  Here's a reminder....

My daughter Clare loved it so I decided to make another for her wedding anniversary and as they were decorating their bedroom at the time, I made it in shades of yellow and grey to match their new room.    The anniversary has now been and gone so I can share it with the world!

The background was once again made using strips of different papers and as Clare enjoys sewing and dressmaking I included some garment patterns and instructions.  After painting, I printed some random lines using an old credit card as the new bedding they had bought had similar lines.  Again I was using Dorset buttons so decided to use the circular shapes as part of the design.   So with the addition of fabrics and lace, beads, washers, sequins, machine stitching and hand stitches - again reflecting the same linear design - the Dorset buttons finished the design.

  

  

I'm glad to report that it was well received.

September Journal Quilt

This months quilt is inspired by the many cactus we saw in and around the hotel in Gran Canaria. 

For the construction I was inspired by some videos of Hilary Beattie that I have been watching on You Tube.   She is really a great inspiration and I have admired her work for some years.  She is also a very generous artist who openly shares her way of creating not just in workshops she runs from her studio but also on the internet.

Using her methods, I printed and dyed some fabrics inspired by the spines and form of the cactus.  Using the fabrics I arranged a collage of shapes, together with photos of the cactus.  I did minimal machine quilting around the square shapes but added hand stitching to reflect the spines of the cactus.

  

I think this is definitely going to be one of my favourites this year.

Rust Panel

My first piece of "new work" is finished and mounted and I have to admit I am very pleased with it.

You may recall from a post last month that I have decided to work on a series of square panels inspired by a variety of sources.   This is the first one which started from the piece created as an experiment using rusting powder. 

I used a variety of different fabrics including some I dyed myself as well as commercial batiks.  Once pieced, I free machine quilted in lines inspired by the original rusted metal that was the starting point for my rust series completed a few years ago.   I deliberately left some areas so that I could fill them with stitches and beads in a similar way to the RUST panel.  I also straight stitched some of the lines created by the quilting.

The finished panel was then stretched and mounted on an artist board.