Looking Forward

 I gave up writing new year targets and goals a few years ago and as it made no difference to the amount of creativity that happened during the year, so I see no reason to change!

My plans for the year so far are to take part in Contemporary Quilts Journal Quilt challenge, restart working daily in my sketchbook and complete a 'year of stitches', all of which are underway.

Journal Quilt

This year's challenge is a little different to the previous few years in that there are guidelines for each set of four months.   The first set (January - April) must include a sewing technique, preferably one that you do not usually use so that you are more challenged.   Suggestions given were applique, reverse applique, traditional quilting, EPP, foundation, trapunto, curved piecing, chenille and collage.

Straight away 'curved piecing' jumped out at me as it is one technique I have never used.  I have tried it with disastrous results which I vowed never to repeat again.  If a curve was required, bondaweb and zig zag stitching was the order of the day!

I have also been drawn back to rust recently and together with indigo dyeing I decided that as far as possible I would use the two for each of the quilts.  I discovered rusting powder so no more wrapping fabric around bits of metal!

So, for my January quilt I made two drunkards path blocks using some rust dyed fabric and some very old indigo dyed fabric.  It must be nearly 30 years old as I remember doing it while doing C&G in the 1980s.   I consulted the web for instructions for curved piecing which was worthwhile as the two blocks were made with no unpicking and the seams layed flat!

The addition of free machine quilting in a circle design plus some hand stitching using perle cotton - another technique I intend to use on this year's quilts - completed the quilt top.  For the binding this year I am using a patterned fabric from Jim Holtz Eclectic Elements range called Travel Labels.  Once cut up the colour is perfect for the binding.

     

 Year of Stitches

I have also decided to challenge myself to regular stitching by making a commitment to stitch during every month.  I have seen various challenges on Instagram so went for a circular format divided into each month.

This was the starting point.  It's only an 8" frame so hopefully I will be able to keep it going.  So far it has been very slow stitching but I do have lots of ideas for the next few weeks so I will catch up again at the end of the month.

Finally for this beginning of 2019, I have restarted my daily sketchbook with the intention of creating some sort of art each day.  Once again it will be a mixture of sketching, collage, mixed media, stitching, in fact anything that takes my fancy or inspires me on that day.

So far this is what I have completed....

Pen and watercolour sketch

Collage of sweet papers

Pen and watercolour sketch

Acrylic paint layers

Pen Sketch

Collage of Christmas stamps and lettering

Acrylic paint stamp with watercolour wash

Layer of silk organza of printed photo with machine and hand stitches

Collage of gelli printed tissue paper

Chichester Harbour

Now our exhibition is up and running I can catch up on the things I had to let slip as I was hard at work getting work finished.

Chichester Harbour is a place we visit on a regular basis so I became very aware of the variety of activities and landscapes that can be seen, depending on where you are.

 I started by creating panels to depict sailing, the birdlife, oysters which were once harvested at Emsworth, the dunes of East Head, the quay at Bosham, yachts at the Marina, feathers from birds, and of course the water.  

 

I used a variety of techniques for each panel including a photo printed on fabric, gelli plate printing, printing with stencils and machine embroidery and quilting.

 

These panels were then collaged with plain dyed fabric to form a hanging that was machine quilted.  Hand stitching, beads and shells were added to finish

 

   

 

 

   

 

   

 

 

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JQs for July and August.

My Journal Quilt for July was inspired by a visit to the Indigenous Australia exhibition at the British Museum.

Continuing with the mixed media theme, I started by using the ticket for the exhibition and an image used in the publicity.  I started my tacking these to a calico background which I then monoprinted using a Gelli Plate.  I built us a few layers of paint, using acrylic paints to which I added Golden Fabric Medium.   Using a small "dabber" (something I found amongst the art department of Hobbycraft which I think is a blender) I added black and white circles.   I then added hand embroidered French knots and running stitches and mother of pearl buttons.   The paper pieces curled a bit as they dried so I secured them with some straight stitches.

As with all the other quilts this year, I used the same fabric for the binding and then added toning beads around the edge.

  

During August we spent many happy hours walking along one beach or other on the Sussex coast, so this was my inspiration for the next Journal Quilt.

The background of my own dyed fabric (some of the fabric I dyed in July) was monoprinted once again using a Gelli Plate.  I then machine quilted sea waves and sand ripples.   The "Seashore" letters were all cut from various magazines and attached using Matt Gel Medium.   Fabrics including organza and scrim together with Angelina fibres were stitched in a wave-like way with hand stitches and seed beads.  Some fishing twine was also couched to the sea area.   On the sand section I stitched shells, wood and dried seaweed which I collected from the beach.

Once again the quilt was bound and beads were added to finish.

 

   

Seen From Above - The Village

Last month I gave you a preview of my latest creation which is now finished so can be revealed.

 

 

Made from my own dyed fabric, this is a pieced quilted hanging with the centre of the panel reflecting the layout of the roads in the village which I live.   I had to make a few adjustments so I didn't have too many corners meeting.   This panel was then hand quilted with lines of running stitch in toning perle cotton.  I used the shape of each piece when deciding which direction to quilt.

 

The top and bottom borders were printed with a stencil made from freezer paper.  The two left hand shapes - an oak tree and an anvil - are the symbols on the village sign; the centre house is the outline of my own house; and the two right hand trees reflect the woods that border the village.   These two panels were then quilted with seed stitch using random dyed perle cotton.