Two more Journal Quilts

In the nick of time, my March and April Journal quilts are finished!

In March, in the UK we have Mother's Day and as my own Mother also had her birthday in March, I wanted to include her in this Journal Quilt.  

I chose blue for the colouring as this was one of her favourite colours and the photo I used is from her much younger days but it is a lovely photo of her which is the main reason I used it.

I started by monoprinting the background (using my new toy - a Gelli Plate) and then printing with the same wooden block I used on the Gelli print.   As I have planned to use text in all my quilts this year, I printed 'mother' in various languages and forms using foam letters and a variety of rubber stamps.    I  printed some paper at the same time and used these in stacks together with a printout of the 'mother' words which were stitched down with a button.   After binding, I stitched beads around the edge, similarly to the other quilts I have done this year.

As a late addition, I also included a photo of my daughter Clare as she was born on Mother's Day in 1977.

    

In April this year the daffodils all seemed to come out at once so I decided to use that as my subject for the April JQ.

The background is a piece of my own dyed fabric on which I painted the stems and leaves of the daffodils using fabric paints before machine quilting them.  The daffodils were made my layering painted Bondaweb on to yellow Lutradur and then free machining them in place.  Some yellow bugle beads were then stitched on.

A photo of daffodils was machined close to the lower edge and then, continuing the use of text, I wrote the Worsworth poem "Daffodils" around the edge.   Yet again, after binding, I stitched yellow beads around the edge.

 



Altered Books

Yesterday I spent a wonderful day creating Altered Books with Laura Kemshall at her Wooden House Workshop.

First of all the venue is superb, set in the very picturesque Shropshire countryside and we had the bonus of a lovely sunny day. It was a pleasure to be able to work in the Wooden House as there was everything we needed to hand with plenty of space to work in.  And the home-cooked cookies and muffins and the lunch provided were just a welcomed and tasty bonus!

Laura gave each of us a book to alter and we have each brought one or two of our own to work on.  She went through each stage, giving us time to work on our books before moving on to the next stage.  Working on two or three books at once meant that we could have one drying and still have another to alter.   We also have loads of examples of Laura's and Linda's altered books to look at and inspire.

Here are some examples of the books I was working on.  They are still "works in progress" so I will post more photos soon with any updates.

 

   

    

    

 

 

          

     

 

 

I can thoroughly recommend Laura's workshops - I for one will certainly be returning.

Seen From Above - One Inch to a Mile

I just love "Inchies" and sooner or later I make some to fit with my current theme.  And Seen From Above is no exception.

I started needlefelting various fibres, fabrics and yarns to create a fabric which I then cut up into inch squares.   These were first edged with blanket stitch and then embellished with hand stitches and beads and for some I added scraps of old maps.   The Inchies were then assembled and mounted on old OS maps which in turn were mounted on board and framed.

As some of the maps I used were old enough to have a scale of one inch to a mile, I didn't have to think too hard about the title.

 

 

The left overs were then mounted on maps and used to map greetings cards.

Seen From Above - 58 to 121

This time my piece of textile art in the Seen From Above series is a linear map that follows the route from my house to our caravan on the coast.   It's a journey I take many times and have come to know it very well.

The techniques I have used include hand stitching, painting, printing and applique.  The background was printed to resemble contour lines found on OS maps and then I illustrated various landmarks or features along the route.

 

 

The 'map' was stiffened with Vilene so that it fold up in four sections just like a real map.